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Frank threatens Trip with his life, scaring him into running away. Later, after killing one of Sleepy's subordinates (Tank) at a nearby butcher, Frank gets a call from Joey, who has been kidnapped and taken to Sleepy's old hideout. Joey and Frank reconcile and agree to go to the cemetery where Lorraine is buried. While there, Frank also walks by Joey's headstone as well, revealing that "Joey" was a figment of Frank's imagination. Frank comes to terms that Sleepy and his men killed Joey to keep him quiet, while Joey's spirit tries convincing his dad to "come home". Despite his son's last wishes, Frank locates Sleepy at a nearby assisted living center, where he is now in a medically induced coma. Frank ultimately decides to spare Sleepy's life, not before leaving the bloodied baseball bat that Sleepy had used the night of the execution on his body. One of the orderlies tells Frank that the only other person to have visited Sleepy before him was Q which shocks him. Jimmy shows up to kill Frank, though Frank gets the upper hand and shoots Q dead in the parking lot.
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But none of those films are likely to be quoted five years from now. By contrast The Room is much worse than those films and vanished into thin air upon release. It has since attracted an ever growing cult with some fans who were dedicated enough to faithfully adapt it into a video game. Yes, the films I've listed are bad. But they do not have the passion that The Room has to reach for a high level artistic greatness. And because the film aims so high, it fails so hard. Because it fails so hard, it is without doubt the worst film ever made. But because the film often aims so high and fails so hard, it is without doubt one of the funniest and therefore greatest films ever made. Wiseau did not make the masterpiece he wanted to make, but he still made one. I think that's enough to satisfy any director. For: • Extremely funny in the most unintentional ways. Against •Technically speaking its horrendous. Rating 10 out of 10
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On the other hand, Joppy explains that Mr. Albright is an opportunist who makes money anywhere he can. Mosley connects race to the theme of war in the first two chapters. Easy remembers the eyes of German soldiers whom he killed in combat when he served in World War II. When he killed white Germans, he had control over white men instead of the other way around. Meeting Mr. Albright makes Easy think about the Germans he killed almost as a defense mechanism. Faced with a conspicuously sinister and big-talking white man who wants to take advantage of him, he recalls a time when he was the one in control. By doing so, Easy expresses a common frustration of black soldiers who returned to their Southern communities after World War II. Having felt heroic and fighting for their country, they found themselves second-class citizens once again. Because he is conscious of his second-class status as a black man, Easy is especially proud of being a homeowner. Throughout the novel, he speaks lovingly about his humble house and garden.